Par MIER MARTHA. Jazz is an important and distinctive American contribution to 20th-century music. The Jazz, Rags and Blues series includes pieces that reflect the variety of styles that represent the Jazz idiom---from the lyrical, sophisticated sound of 'Clarinet Blues,' to the driving rhythms of 'A Neat Beat.'Jane Sebba's exciting new arrangements now make this hugely popular and successful series available for the clarinet and piano. The syncopated rhythms, colorful harmonies, and authenticity of the originals can be shared between friends, or played as a flute solo using the superb backing tracks from the accompanying CD!   / Instrumental Music, Scores / Recueil / Clarinette et Piano

These eight pieces have been selected from a collection of 18th century music for three clarinets. The original title reads: Partia a Tre. The collection consists of thirty short pieces all of them anonymous except for number one in this book. 'Di Rösser' is probably Valentin Roeser clarinettist composer and author of Essai d'instruction l'usage de ceux qui composent pour la clarinette et le cor (1764).

Most duet books for clarinet consist of music from one historical period or feature the music of one composer. This volume has works arranged for two clarinets from each period starting with the Baroque and continuing into thetwentieth century. These duets are intended for the intermediate level clarinetist and can be played by junior and senior high school students. The music has been composed by well-known composers from about 1725-1900. These duetscan be performed on recital or at church school or festival occasions.

Debussy’s Première Rhapsodie is one of two concertante works completed premiered and published during his lifetime. He was commissioned to write it in 1909 for the final examination at the Paris Conservatoire in 1910. Debussy orchestrated it in the summer of 1911. While transferring the clarinet part from the already published version for clarinet and piano he made a few subtle changes particularly in m. 201 which has been a bone of contention among clarinettists for over a century.The present scholarly-critical publication is the first Urtext edition of the orchestral version. It draws on every known source and takes into account a previously ignored source that shedsnew light on the piece.First Urtext edition of the orchestral versionFirst scholarly-critical edition of a pioneering work for clarinetTrilingual Foreword (Eng/Fr/Ger) with Critical Commentary (Eng)

Clarinet and Piano Charles Neidich 21st Century Series for Clarinet-Written for virtuoso clarinetist Heinrich Baermann Concertino would become the first work of an impressive oeuvre for clarinet one which along with that of Mozart Spohr and Brahms constitutes the backbone of the repertoire.Internationally-recognized clarinetist Charles Neidich unites for the first time Weber's original text with the edition published by Baermann's son which had formed the basis of most subsequent editions. Also presented areexamples from Cyrille Rose's 1879 edition which was the foundation of the French tradition and which held much more closely to Weber's original. This new critical edition inspires those learning the piece to develop their ownpersonal yet informed interpretation of Weber's premiere clarinet masterpiece.

Instrument : clarinet and piano Series : Edition Schott - Single Edition Nombre de Pages : 8 The clarinet virtuoso and educationalist Carl Baermann from Munich was one of the most important musical figures of the 19th century. His teaching literature strongly influenced clarinet education and the further technical development of the clarinet. His Romantic compositions form an integral part of the clarinet repertoire. Romanze for clarinet and piano, a sentimental work of great emotional substance, has proved a popular concert and encore piece. Baermann's Romanze is also suitable as a performance piece for competitions - a valuable addition to the repertoire of every clarinettist.

Clarinet and Piano-In this clarinet & piano reduction:Urtext solo clarinet partReconstructed basset-clarinet partPreface with suggestions for the embellishment of the first movement fermatas from an early 19th century sourceIn late 1791 Mozart wrote his famous work the Concerto for ?Bassettklarinette? and Orchestra K.622 known today as his Clarinet Concerto. The challenging virtuoso piece was written for Anton Stadler and the music follows the three-part structure of Allegro Adagio and a Rondo finale.This work was first published in 1801 and by no less than three publishers. It is one of the most important worksin the Clarinet repertoire and remains a popular work to the present date.Urtext of the New Mozart EditionFull score & performance material (BA4773) Clarinet in A & Piano reduction (BA4773-90) and study score format 22.5 x 16.5cm (TP254) available for saleClarinet in B-flat & Piano reduction (BA4773-38)Reconstructed version for Basset Clarinet and Orchestra full score (BA4773-01)

Barenreiter Urtext Edition of Brahms' Sonatas In F Minor And E-Flat Op.120 for Clarinet and Piano.Features:A pioneering Urtext edition with an extensive Performance Practice CommentaryFor further information on Romantic performance practice we recommend the text booklet: ?Performance Practices in Johannes Brahms? Chamber Music? BA 9600Brahms had already announced his 'retirement' from composition when in the spring of 1894 he played chamber music with the cellist Robert Hausmann and the clarinettist Richard Mühlfeld. This encounter renewed Brahms' enthusiasm for Mühlfeld?s muchadmired playing and inspired him to write two new Clarinet sonatas in the summer of the same year. Brahms and Mühlfeld premiered the works and played them in several performances until the Sonatas Op.120 were first published in June 1895. These two works remain pivotal in the Clarinet?s recital repertoire establishing the Clarinet sonata as a distinct and viable chamber music genre.This edition features an extensive preface that informs about the sonatas? origins their compositional process pre-publication performances and their publication history as well as their early reception. Another truly remarkable aspect of this publication is the unique Performance Practice Commentary. Here the editors start from the premise that only a few decades after Brahms' death a widening gulf was already developing between the composer's expectations and the performance practices of the early 20th century. On the basis of manifold sources which include memoirs by pupils and chamber music partners treatises and essays early instructive editions and historical recordings the editors deal with key issues in understanding Brahms' notation. The editors provide an indispensable assistance for a historically informed interpretation of the work through a section-by-section analysis of rhythm and timing dynamics and accentuation dots and strokes slurring and non legato Piano pedalling and overholding Piano arpeggiation and dislocation Clarinet vibrato and portamento. At the same time the edition offers an exciting and often surprising

Music Minus One Clarinet-Pieces by the great Romantic master Robert Schumann which offers less experienced clarinetists a slice of nineteenth-century musical perfection. Highly recommended. Performed by Jerome Bunke clarinet Accompaniment: Hidemitsu Hayashi piano

From The Period Of Impressionism-This volume consists of several pieces by Gabriel Faure and Claude Debussy that are arranged for B-flat clarinet and piano. The music has a variety of late nineteenth century styles that range from late Romantic Sounds toimpressionism. The collection is arranged so that the intermediate level clarinetist and pianist are moderately challenged. Each of these works are of medium length making them ideal for festival and contest performances. Inaddition several pieces can be performed for religions occasions.

Xavier Montsalvatge (1912-2002) was a consummate Spanish composer who explored many 20th century styles including Impressionism Serialism Modernism and Wagnerism while maintaining a distinctive Catalan character. He first came to prominence in 1940 after the Spanish Civil War and is seen to represent the ?lost generation? which was active in the second half of the 1900?s. He helped to advance Spanish music from the Nationalistic style that dominated before the war and began to introduce West Indian influences into European music.Self-Parafrasis for Clarinet and Piano was written around 1968 when Montsalvatge was just cominginto the height of his compositional prowess. It is presented here in a high-quality glossy cover and would make the perfect gift for any clarinettist.

The second set of twenty four studies for the Clarinet by Alfred Uhl originally published in 1940 and devised to challenge clarinettists in the skills required to approach the vigours of 20th century performance.

A journey through the history of classical music-This book of flute duets is a journey through the history of classical music for two players of a moderate standard. The pieces ordered chronologically according the composerâ??s year of birth take you from the 17th century all the way to the late 19th century via Purcell Haydn Schubert and Grieg.

Robin Milford was a friend of Gerald Finzi and this work certainly owes something to that major 20th century composer. The Quintet is full of wonderful tunes as well as robust and characteristic writing for both the Clarinet and Strings. Arranged for Clarinet and String Quartet.